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   《每日英语》电子报总第190期-02.16
 

   《每日英语》Bbs中国英语学习网

主办:中国英语学习网  2007-02-16 
【总第190期】

----Daily English--- Bbs中国英语学习网


 ::每日一词:: 
 

honeymoon  (n.) 蜜月 Bbs中国英语学习网

wedding  (n.) 婚礼 Bbs中国英语学习网

<点击收听>

We're going to Thailand for our honeymoon.
我们要去泰国度蜜月。



Are you going to Bill and Susan's wedding this summer?
你今年夏天要去参加比尔和苏珊的婚礼吗?
Bbs中国英语学习网

 
 ::每日一句:: 


I dropped my key somewhere about here.

我把钥匙掉在这附近某个地方了。
Bbs中国英语学习网

somewhere about 在……附近,如somewhere about five o’clock 大约五点钟 。 Bbs中国英语学习网

 
 ::每日对话:: 

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A: Mark, don't be a clockwatcher! You're getting on my nerves.
M: I can't help it! I got so bored doing this.
A: You said you'd do it. Then, do it.
M: Don't be bossy.
Bbs中国英语学习网

A: 马克,不要老是看钟。你把我搞得心神不宁。
M: 我忍不住。做这个好无聊。
A: 你自己说要做的。那就做。
M: 不要这么霸道

重点解说:

1、 get on (someone's) nerves「使(某人)心神不宁」复数形的nerves有「紧张,焦躁」之意,如She got nerves before the interview.「她在面试前变得非常紧张。」He is all nerves. 「他非常紧张不安。」

2、 get bored 「觉得无聊的」

3、 bossy「霸道的」

 
 
 ::每日一译:: 

1. 我们在压力下比较容易病倒。 Bbs中国英语学习网

2. 我免费获得这样东西。 Bbs中国英语学习网

3. 他的妻子死后,没有人可以使他振作起来。 Bbs中国英语学习网

昨日参考:Bbs中国英语学习网

1. We are ready to set off now.
注:set off......出发.... Bbs中国英语学习网

2. When John has to write a report, he refers to the encyclopedia.
注:refers to ...参考,,,,,参阅...... Bbs中国英语学习网

3. In these days of recession, it is hard to find a job.
注:in these days of.....近来......目前,,,,,,,日前....... Bbs中国英语学习网


昨日重温:http://www.24en.com/day/2007-02-13/56634.html
Bbs中国英语学习网

中国英语学习网每日英语频道新增每日一译版块,我们每天为你提供一些中文句子,试着把它翻译成英文,让我们共同提高,成为口译高手!!(我们会在明天的每日英语中公布今天的句子的参考答案)Bbs中国英语学习网

 
 ::每日一图:: 

Telephone poles and oil rigs stand silhouetted against an orange-tinted evening sky in Oman. Oman was once considered an Arabian Peninsula backwater, with only about six miles (3 kilometers) of paved roads as recently as 1970. Oil production, however, which began around 1967, quickly catapulted this sultanate of 3 million inhabitants to unimaginable prosperity.
Bbs中国英语学习网

 
 ::每日一文:: 

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2006年逝去的五位特殊的美国人Bbs中国英语学习网

VOICE ONE:

I'm Steve Ember.

VOICE TWO:

And I'm Barbara Klein with People in America in VOA Special English. Today we tell about five special people who died during the past year. We start with the movie director Robert Altman. During his fifty-year career, he made some of the most influential movies of modern times.

(MUSIC from "Nashville")

VOICE ONE:

Robert Altman
Robert Altman

Robert Altman's films were different from the usual methods of Hollywood movie storytelling. He started his film career in the nineteen forties directing industrial movies in his hometown of Kansas City, Missouri. Later, he moved to Hollywood, California to make television shows.

His first major film, "MASH", was released in nineteen seventy. It tells about a group of American medical workers in a temporary military hospital in Korea during the Korean War in the nineteen fifties. The movie was a great success. It questions the rules of the military establishment in a way that was sharply funny and intelligent.

Robert Altman continued to make movies with strong political and social commentary. His next major movie, "Nashville," came out in nineteen seventy-five. This movie provides a complex look at changes in the country music industry.

VOICE TWO:

Robert Altman's movies have a very special style. Often, his actors speak so naturally it is hard to believe they are performing. Altman liked his actors to be free to make up their own lines. He often layered different recordings of actors talking at once. Altman wanted to copy the way people talk and act in real life. And he was willing to fight with movie studio businessmen to make sure he had total creative control over his work.

Even as an old man, Robert Altman continued to make movies. Many of his thirty-three films were nominated for Academy Awards, including "The Player" and "Gosford Park." Robert Altman died in November in Los Angeles, California. He was eighty-one years old.

(MUSIC: "Deep in the Heart of Texas)

VOICE ONE:

Ann Richards
Ann Richards

Ann Richards was a famous Democratic party politician from the southern state of Texas. She served as the governor of Texas for four years. Richards was known for her big white hair, big smile, and sharply funny comments. She was also known for forming what she called a "New Texas" during her time as governor. She created a government in which women, Hispanics, and African-Americans played important roles.

Ann Richards did not always have a career in public service. As a young woman, she worked as a teacher and raised four children. She and her husband were very involved in local politics. Richards began working hard to help Democratic Party candidates win seats in the Texas legislature.

VOICE TWO:

Then one day, she decided to run for office herself -- and she won. She served first as country commissioner, then as Texas state treasurer. In nineteen ninety she was elected governor. She fought for equal rights, environmental protection and laws to restrict guns. After losing a second term as governor to George W. Bush, Richards worked in public relations.

She died in September at the age of seventy-three. At her funeral service, leaders from around the country gathered to celebrate her life. Former President Bill Clinton spoke at the service. He said Ann Richards helped create a world where young girls could be scientists, engineers and police officers. He said she was a great woman with a big heart and big dreams.

(MUSIC)

VOICE ONE:

R. W. Apple
R. W. Apple

The journalist R.W. Apple, known as Johnny, wrote about many subjects, from politics and war to food and drink. During his forty-three years writing for the New York Times newspaper, he enjoyed a rich and eventful career. He was the paper's chief reporter in cities like London, Moscow, Lagos and Nairobi. He covered events such as the Vietnam War, the Iranian revolution and the Gulf War. He reported on ten presidential elections. And, Johnny Apple's opinions on fine food, travel and the world's best restaurants were very influential.

VOICE TWO:

Raymond Walter Apple was born in nineteen thirty-four in Akron, Ohio. His father owned several food stores and wanted his son to take over the business. But the young man fell in love with journalism instead. He began as a reporter for his high school and then college newspaper. He later wrote news stories for the Wall Street journal and the NBC news television network. But it was his years at the New York Times that established him as one of the greatest political and cultural writers of his time.

VOICE ONE:

Johnny Apple died in October at the age of seventy-one. Earlier this month his friends and family gathered in Washington, D.C. for a large memorial service. Famous writers, politicians, and cooks told about his warm personality, sharp intelligence, and extraordinary energy. After the service, guests enjoyed fine foods provided by some of the best cooks in the area.

(MUSIC)

VOICE TWO:

William Styron wrote intense books about tragic periods in history. His
William Styron
William Styron

stories are filled with rich language and complex moral questions. Many of his books try to understand the evil actions of people. His first novel, "Lie Down in Darkness," was published in nineteen fifty-one when he was only twenty-five. It is about a troubled young woman who kills herself. It established him as a great new voice in American literature. The book received the Rome Prize, which required him to live in Italy for a year. He soon became friends with many famous American writers including James Baldwin and Norman Mailer.

VOICE ONE:

William Styron was born and raised in Newport News, Virginia. He quit college to join the Marines during World War Two. He later continued his studies in English literature. After briefly working in publishing, he started to write.

Styron wrote "The Confessions of Nat Turner" in nineteen sixty-eight. It told about a nineteenth century slave revolt in the southern state of Virginia. Critics praised the book and it was awarded the Pulitzer Prize. But African American writers strongly criticized the story.

VOICE TWO:

Styron's book "Sophie's Choice" won the American Book Award in nineteen eighty. It is a tragic story about a woman and her children who are sent to a Nazi death camp in Poland during World War Two. The book was made into a movie starring Meryl Streep.

Later in life William Styron suffered from severe depression. After recovering, he wrote honestly and bravely about his experience in "Darkness Visible: A Memoir of Madness." He received great praise for educating people about the difficulties of mental illness. William Styron died in November at the age of eighty-one.

(MUSIC: "Lucky Lips")

VOICE ONE:

Did you recognize that powerful voice? It is Ruth Brown singing "Lucky Lips." Brown recorded many rhythm and blues hits in the nineteen fifties. Her popular songs helped build the Atlantic Records company.

Ruth Brown
Ruth Brown

Ruth Brown was born in Portsmouth, Virginia in nineteen twenty-eight. She learned to sing traditional music at her Christian religious center. But she liked the popular jazz and rock music of the time even more. She left home at a young age to build a career in music. One night the jazz expert and broadcaster Willis Conover heard her perform in Washington, D.C. He helped her meet the owners of Atlantic Records. By nineteen forty-nine she was recording albums. Soon, she became known as "the girl with the tear in her voice" because of her emotional way of singing.

VOICE TWO:

In the early nineteen sixties Brown married and led a more private life. But by the nineteen seventies and eighties, she started singing again in musicals and performed on television and in movies. She also started to fight for musicians' rights. Many musicians recorded hit songs that made their record companies very rich. But the musicians themselves rarely received fair payment later.

Ruth Brown worked hard to make these companies change their policies. In nineteen eighty-eight, Atlantic Records agreed to pay her and thirty-five other musicians the money they owed them for using their songs for twenty years. Ruth Brown continued performing for the rest of her life. She died in October.

(MUSIC)

VOICE ONE:

This program was written and produced by Dana Demange. I'm Steve Ember.

VOICE TWO:

And I'm Barbara Klein. You can read and listen to this report on our Web site, voaspecialenglish.com. Join us again next week for People in America in VOA Special English.

 
 ::每日一曲:: 

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cryin'--Aerosmith

这是一支非常具有传奇性的乐队,他们在摇滚乐的历史上拥有着极其重要的地位;他们是上世纪七十年代最受欢迎的摇滚乐队之一,同时不仅像六、七十年代的一些常青乐队一样活跃至今,他们还是其中极少数仍然拥有非常好的商业成绩的乐队之一;他们发行过超过20张的既叫好又叫卖的白金专辑,在全世界拥有超过1亿张的唱片销售纪录;他们还曾经四次获得格莱美最佳摇滚乐队奖;虽然乐队的核心成员曾经几次因为各种矛盾而各奔东西,但是又几次尽弃前嫌再度携手;他们深受布鲁斯摇滚乐影响,却又在乐队的发展历程中成为了包括Motley Crue,Guns N' Roses,Bon Jovi,Poison,Tesla等无数后生乐队们的偶像;甚至是他们在1975年一首不经意间创作的单曲《Walk This Way》,在十多年以后也被公认为是说唱金属的鼻祖单曲,对了,这就是世界著名的史密斯飞船乐队(Aerosmith)。 Bbs中国英语学习网

提起史密斯飞船乐队,人们不禁会立刻想到乐队主唱Steven Tyler那张鳄鱼般可以吞噬一切的大嘴,以及Joe Perry一袭黑衣如同铁塔般巍然屹立的吉他英雄形象。不可否认,史密斯飞船乐队是对80年代美国摇滚乐队影响最大的乐队之一,他们华丽而怪异的舞台表演风格,Steven Tyler多变的演唱,长丝巾服装围着麦克风不停的舞动,Joe Perry冷峻的表情和突出的吉他演奏方式都成为了后来者的模仿对象。在三十年的时间里无论时间如何变化,摇滚乐的环境如何变化,史密斯飞船乐队虽然也向布鲁斯摇滚基础的流行金属方向发展,但是仍然都一直坚持着自己的演唱方式和舞台表演风格,并始终能够吸引无数的歌迷为之疯狂。在当今摇滚乐坛,Metallica,Guns N' Roses等曾经广受世界歌迷欢迎的乐队都为了适应新环境而在风格上做出了非常令人失望的改变,史密斯飞船乐队的这种华丽风格的坚持更是凸显出他们的魅力。  同时,史密斯飞船乐队还是将真正纯粹的、完全的柔情歌曲应用于硬摇滚乐之中,并将之演绎的最好的乐队。从上世纪七十年代开始,史密斯飞船乐队就能够经常的在音乐的硬以及内容上的柔中得心应手的随意切换,他们可以将最柔情感人的内容轻而易举的融入最硬的摇滚乐曲中,而且从来不是用简单或者粗劣的语言来填词。硬摇滚情歌是他们最擅长的作品形式之一。Bbs中国英语学习网

cryin'--Aerosmith

There was a time
When I was so broken hearted
Love wasn't much of a friend of mine
The tables have turned, yeah
'Cause me and them ways have parted
That kind of love was the killin' kind
Listen, all I want is someone I can't resist
I know all I need to know by the way that I got kissed
I was cryin' when I met you
Now I'm tryin' to forget you
Love it sweet misery
I was cryin' just to get you
Now I'm dyin' 'cause I let you
Do what you do down on me
Now there's not even breathin' room
Between pleasure and pain
Yeah you cry when we're makin' love
Must be one and the same
It's down on me
Yeah I got to tell you one thing
It's been on my mind
Girl, I gotta say
We're partners in crime
You got that certain something
What you give to me
Takes my breath away
Now the word out on the street
Is the devil's in your kiss
If our love goes up in flames
It's a fire I can't resist
I was cryin' when I met you
Now I'm tryin' to forget you
Your love is sweet misery
I was cryin' just to get you
Now I'm dyin' 'cause I let you
Do what you do to me
'Cause what you got inside
Ain't where your love should stay
Yeah, our love, sweet love, ain't love
'Til you give your heart away
I was cryin' when I met you
Now I'm tryin' to forget you
Your love is sweet misery
I was cryin' just to get you
Now I'm dyin' just to let you
Do what you do what you do down to me, baby, baby, baby
I was cryin' when I met you
Now I'm tryin' to forget you
Your love is sweet misery
I was cryin' when I met you
Now I'm dyin' 'cause I let you
Do what you do down to, down to, down to, down to
I was cryin' when I met you
Now I'm tryin' to forget you
Your love is sweet

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